Happy Bright Week! We celebrated Pascha over the weekend, and are now limping through Bright Week in an ordinary fashion befitting middle aged adults who stayed up half the night and then had to care for children all day and then start homeschooling again bright and early Monday morning. Which is to say:
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| Image from GIPHY |
Right. So. How about we talk about color, hey? Gillian at Crafting a Rainbow has been talking about colors and palette this week, revisiting a favorite theme of hers. I thought it might be interesting to write about that here, since I spend a fair bit of time thinking about color. Some of it is an old habit from paper crafting days--what colors work well together, what are unusual color combinations to make with this card or project, etc.
Some of it is making a lot of my own clothes for past few years--in order to have a harmonious wardrobe, not create wardrobe orphans, and find what looks best on me requires thinking about colors and tonality. Some of it is the artist in me is just drawn to color. (I did some coloring with markers during our spring break and I'm thinking about drawing some of my own designs, based on Slavic folk florals and running with it).
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| Three season palette |
I'm particularly drawn to saturated jewel tones, but I also like the dusky earth tones that are popular right now (they just don't look good against my skin tone, which is probably best described as "burns in the moonlight"--ha!) After filling in the boxes with color using Gillian's method, I decided that I really needed two palettes, as I tend to wear one three seasons (Fall-Winter-Spring) and the other in summer. This is why my summer wardrobe is a source of constant irritation to me. I really prefer my three-season palette and wardrobe, but can't quite replicate it in the summer (for a variety of reasons). That said, I am liking the summer palette and hope it will guide my thrifting a bit.
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| Summer palette |
There is a small amount of color cross-over between my spring-summer and summer-fall (I have a bright orange cotton sweater I've been wearing a lot this spring, for example, and tend to wear that bright raspberry color well into the fall, along with the jade green and teal).
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| Jade green with mint and brass and brown neutral accents. |
An interesting discovery for me is how to make color combos I love on other people work for my skin tone and wardrobe. Last fall sometime, Meg at Sew Liberated had an Instagram post about her favorite color palette: vanilla, copper, and mint. She is more olive-toned than me, and her wardrobe is full of gorgeous earth tones, anchored in ochres and muted neutrals, with teal, indigo, and clay accents. I love her palette, but it would look terrible on me in that particular iteration.
I thought about how to work with the palette, but in hues that better suited my skin tone. (This was about the time that I decided to make another rust cord skirt). That saturated rust gave me the earth tone I was craving, but in a nice deep jeweled shade that suited my skin. Since white and vanilla tend to wash me out when they are right next to my face as a solid, I paired it with mint on top and accented with copper, or vanilla/white with a teal-toned scarf and copper jewelry.
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| A few of my favorite things from the last few years. I don't have all these clothes now, but I still love the color combinations or the outfit. |
Another one is yellow. I love yellow, but can't easily wear it near my face in a flattering way. I love the mustards and complex honeyed colors that are popular right now, but they really don't suit me at all, even if I wear it on the bottom and pair it with something saturated on top. At best, I can wear them as a small accent somewhere away from my face, like in a patterned scarf or amber jewelry. That said, I like yellow as a neutral, and have found that certain shades of yellow are fine for me--a bright buttery yellow is generally good near my face; I have a summer cardigan in that shade that I wear quite a bit.
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| I have that jump rope rhyme about Cinderella dressed in yellow stuck in my head now. (Stock images from pantone.) |
Likewise, my marigold heavy linen skirt is a nice yellow for fall and spring (the color isn't as good with bare legs, but perfect with tights). It's in the direction of mustard, but brighter and more saturated. I've tried pairing it with blush and dove gray (such a great color combo!), but it doesn't look good on me. If I'm going to wear marigold, I need to pair it with a bold blue-toned accent color like raspberry or bright navy, or jade green.
I'm wearing far fewer prints than in previous years, and many more stripes, but I'm a lot happier in my clothes these days. At the moment, I mostly prefer texture to prints and separates to dresses, which is a new place for me sartorially. When I put an outfit together, I try to look for interesting ways to combine texture with color and interesting accents.
I'm still trying to work out the best hot-weather clothing that doesn't make me want to die of heat stroke but also doesn't increase my risk of skin cancer any further by exposing my arms and shoulders. Last summer, I wore lightweight 3/4 sleeve shirts with shorter skirts or shorts, but it wasn't really quite right. I liked what I wore from a style perspective, but my hot-flashy self had trouble coping with the sleeves, and sleeveless is just not a good idea for my skin.
In the meantime, I'm thrifting for saturated colors, and enjoying the cool pause before the heat of summer descends.






















