Showing posts with label Historical Sew Monthly. Show all posts
Showing posts with label Historical Sew Monthly. Show all posts

Friday, November 25, 2016

Let's Party Like It's 1765

Every year, my kids' school has a History Day celebration sometime in November, usually near the Thanksgiving break.  It is a nice way to end before the long break for Thanksgiving, and the kids look forward to it almost as much as the spring Literature Day celebration.  They get to dress up in costume and participate in a ton of history-related activities all day.  

In classical curriculum, the students study a different period of history each year, starting with the ancient world in kindergarten.  By the time they are in 3rd grade, they are studying the modern period (about 1800-1900).  In 6th grade, they start over again with the ancient world and delve more deeply into material as they move through middle school and high school.

Piglet is in 3rd grade this year, and his costume options included colonial dress, so he decided to go as George Washington.  

Boo's class is studying the medieval period, so he went as Robin Hood.


Birdie is in kindergarten so she went as a Roman princess.

When I heard that Piglet's class was focusing on colonial history, my ears perked up.  Long time readers might remember my brief foray into 18th century costuming way back in 2014.  I hadn't really abandoned it, but I did shelve the project for a long while.  I have been steadily researching textile history and keeping up with other 18th century historical costumers these last years.  

In any case, I decided that I could cobble together a working class outfit and make a presentation about it, if the teacher was interested.  She was enthusiastic about the idea (and it helped that the kids had visited a colonial farm in early November), so I spent a rather frantic 6 weeks putting together all the pieces I lacked, including stays!  (gulp!)  I'll try to do a post about constructing the individual pieces soon, but thought I'd share the photos from my presentation in the meantime.  I asked a friend to take them and she was sitting on the floor with the kids, hence the angle.


I started out in my shift, cap, and stockings.  (I had some modesty stuff underneath the shift to keep it decent in a public place).  I talked about my cap, and that I wore it to keep my hair clean since I would be working over an open flame most of the time, and also because it was considered proper for women to cover their hair.  I explained what a shift was, and that it was a prehistoric garment worn across many societies and cultures, by both men and women.  The basic shape didn't change much over time, and was constructed from a long rectangle of fabric.  


I explained that it was made from linen in order to make washing easier, and that people changed their shifts the way that we change our underwear.  I talked about pre-modern water usage (no running water = no easy baths or showers) and how keeping clean was different from today.  


I put on my garters to hold up my stockings, and explained that before elastic, women and men needed something to hold up their socks!  Many 18th century garters are embroidered with funny sayings, but mine were pretty plain (a folk-ware inspired ribbon strip on linen ribbon ties)  Then shoes.  (Cardinal rule: shoes before stays)


I talked about my stays, gave a brief history (starting with the Elizabethan "pair of bodies") and talked a little about how they are constructed.  I forgot to mention that stays were primarily made by professional stay-makers who tended to be men, because it takes a fair amount of finger and hand strength to sew stays (speaking from personal experience!)


Mine are front and back lacing so that I could get into them myself.  Stays can be front- or back-only lacing, and some maternity stays laced on the sides.  I find front and back lacing stays to be most comfortable as they are more adjustable for optimum fit.  They are also much easier to get into by yourself!


Lacing.


Still lacing.


Pulling it all tight.  Stays were not tight laced, but rather provided good back support for the heavy labor of the day, and also to give the body a particular shape under clothing.  The goal was a conical torso shape, not small measurements.


Tying the ends into a bow to secure the lacing.  I added my pockets here (you can see them peeking out in the photo below)  Pockets were a separate item of clothing for women until the late 19th century, when dresses became extremely fitted over the hips and separate pockets ruined the line of the dress and became impractical.  You read sometimes about women losing a pocket at a ball or some such.


This is my modesty petticoat, which is shorter than a regular petticoat skirt, and designed to prevent wardrobe malfunctions in a high wind or other activities where skirts might fly up!  As women (and men) didn't wear anything under their shifts/shirts, this was a real concern.  


It laces front to back, just like a regular petticoat skirt.  I made this out of a yard of linen and pleated it to a linen tape.  The slit in the side allows access to the pockets.


Then my heavy flannel petticoat.  You can see how it ties here.  The kids were curious about all the ties and lacings.  I explained that since washing machines hadn't been invented yet, clothing had to be cleaned by beating it with a stick in running water, so whatever was on your clothes had to be able to survive that.  Buttons wouldn't, and were too expensive for my farmer's wife persona.  Most clothing was laced or pinned shut.


Then I added my final petticoat skirt, a heavy-weight gold linen that I lurve so much.  I can't wear that color next to my face, and this was a fun way to be able to wear it!


I used two full yards and pleated them to a double fold bias tape that I sewed shut on the ends.  It isn't as historically accurate as the linen tape, but it worked okay.


Then my shortgown, made from some heavy weight linen scraps.  A short gown is a t-shaped jacket without closures that has cut-on sleeves.  I had to do some piecing to get it to work, but they would have done in the 18th century as well, so I figured it was all to the good.  I left it unlined because I ran out of fabric.  I based the shape on several extant short gowns, and the length and general measurements are similar.


There is some debate about whether linen would have been used for an outer garment like this, but I think it must have been since cotton was used once widely available.  These jackets and many dresses of the period were often held together with small straight pins.  


There was in fact a shortage of pins during the Revolutionary War, and Abigail Adams writes to her husband John, in England at the time, and begs him to send her a bundle of pins in his next consignment to her, as they are desperately in need.  I read out part of the letter.  I made a little pincushion on a ribbon tie to wear on my apron, since women would have wanted pins near to hand in case they lost one on their clothes during the day.


Pinning shut.  The pins are inserted lengthwise, with the pointed end down.  Someone asked me if the pins would stick you during the day, and my answer is no, because: stays. There are four layers of heavy cloth plus bones between you and any errant pin pricks.  Another person wondered about holding babies with straight pins in the clothes, but babies tended to be swaddled in lots of layers of linen at the time, so I suspect they wouldn't have made contact with the sharp points all that often.


Tucking in my fichu (neckerchief).  It fills in the neckline and adds some modesty to the low cut of the shift and stays.


Adding my apron.  I showed them how the apron can be tucked up into a little pouch to hold things like potatoes or other garden produce.  I'm sure the pouches were used to carry other things as well!


And finally, my Bergère hat!  It is quite a hack job, but it worked well for the presentation.


Bet you'll never guess what it is made of!  (Hint: a placemat)  It is tied on over my cap.


The finished outfit!  The hat would only be appropriate for going "to town" or other public places, whereas my cap is more appropriate around the house.  This outfit is the 18th century equivalent of jeans and a t-shirt.


I'm ready to haul water, chop wood, tend my cooking fire and the copper, weed the garden, slop the pigs, milk the cow, and generally do the hard labor of the farm!

I'm sure there are a ton of Historical Sew Monthly challenges tied up in this outfit, but I'll hit the details later.

Wednesday, December 2, 2015

HSM #12 Redo (Blue) & Yarn Along: 1918 Outing Sweater and WIPs

I finally finished the 1918 Outing Sweater! It only took me 11.5 months.  I had originally hoped to finish it in time for the Blue challenge in February (ha!) but obviously that didn't happen with the horrendous winter/sick season we had.  


To be fair, I didn't work on it steadily this year, as I found the going rather tedious at times (garter stitch, garter stitch, and more garter stitch--did I mention it was a lot of garter stitch??)  But!  I did finish the thing.  It is rather cleverly constructed, and while I would have preferred something with a more interesting stitch pattern, it was a fairly straight-forward pattern.  


I realized about three quarters through that it was going to come out too big.  I had added stitches to the hips because I was considerably bigger when I began the project, and was concerned about it being too tight at the bottom.  But then I started this weight loss journey, and everything happened with my throat (and continues to be a problem) and now the sweater is just too big.  


I've also sort of fallen out of love with making costuming pieces for every day wear, and this sweater is quite long on me, both at the bottom and from the shoulder to the mid-bust.  I had to put a pretty handkerchief under the collar gap to keep it modest.  It is period appropriate for the late 1910s (and would have been worn with a blouse in any case), but it looks like a dress on me, and just overwhelms my frame, I think.  I did learn a lot by making it, so I'm glad of the experience.  


Once I realized the sweater wasn't going to fit or suit me, I asked on a 1910s costuming forum if anyone wanted it, and I had several takers immediately.  So Sharon B has this beauty in her hands by now, and I hope she wears it in good health!!


I'm counting this as my second Historical Sew Monthly entry for December: Redo (Blue challenge). 

The Challenge: Redo (Blue)

Fabric: Lion's Brand Wool Ease Yarn in Navy, 7.5 skeins

Pattern: 1918 Outing Sweater Pattern (free pattern)

Year: 1918

Notions: 2 vintage buttons from the stash

How historically accurate is it? Pretty accurate!  I followed the instructions as written.  The only mods I made were to add 10 stitches to the front and back in the bottom section below the ribbing to make it wider through the hips, and I used the same yarn throughout rather than making the collar from white angora as suggested.  

Hours to complete: oodles. 

First worn: November 23, 2015 for photos only

Total cost: $56

And on to other yarn works in progress (and linking with Ginny for Yarn Along)


I've had this sweater pattern for a while now, and after making the Ramona cardigan, I feel quite confident about a top-down raglan sleeve construction.  I really like the fit and feel of raglan sleeves in a knit, so I'm eager to knit this sweater.  I'm planning to use the blue yarn pictured above--it is Wool of the Andes in Sapphire blue worsted.  I've gotten gauge already, so I just need to cast this puppy on.


Next up: The Saucy Librarian sweater in Aurora green, also Wool of the Andes but sport weight.  I'm really enjoying this knit.  It is finer gauge, but still is going by pretty quickly.  It is also top down raglan sleeve construction, and I'm planning to lengthen the sleeves to 3/4 or full length.  The color didn't come out properly in the photos, but it is a lovely forest green with hints of blue and black.  I'm hoping I finish it before the season is over!


I'm farthest along on this next project: the Comfy cardigan.  This is another Knitting Pure and Simple pattern, and I like the pattern well enough.  Again: top down, raglan construction, with an eyelet edge.  I think if I make this pattern again, I would do simple increases instead of the yarn over for the eyelet, but this is fine for this sweater.  This yarn is the same burgundy yarn I started the Rivoli sweater with (and later frogged for a variety of reasons).  


At this point, I just want to use the yarn up already.  I probably wouldn't purchase it again, but it feels good to stash bust it.  It is a soft cotton/acrylic mix, but it sheds like crazy and I'm a little concerned about the sweater holding its shape.  I guess we shall see.  I'm about half way down the body of the sweater, and then sleeves, neck band and button bands to do.  I'm doing long sleeves, I think (or at least 3/4 length), and will probably construct them similarly to the Ramona.  I think it will make a nice addition to my fall rotation.


Finally: my Hitchhiker scarf!  This is kind of fun, and something easy to pick up and put down.  I don't have a deadline for this scarf, as I just kind of like it as a smaller project.  It is interesting to see how the striping is coming out in garter stitch.  I'm curious if it would look different in stockinette.  The pattern is surprisingly easy to "read" in the knitting, and almost mindless (but not numbingly so).  It is my first time working with actual sock yarn and I kind of like it.


My ravelry page isn't up to date with any of these projects, so I won't link it here, but I'll try to get it updated soon.

I've also got two more books on my kindle that I'm working through: Extreme Ownership and Unbeatable Mind.  Extreme Ownership is pretty good; Unbeatable Mind has been a tough slog.
As for reading, I'm still working on that background research for the spec-ops character I'm developing, as well as Rod Dreher's How Dante Can Save Your Life.  As I wrote yesterday, there is much to consider in the book.

I also started watching The Man In the High Castle on Amazon, and it is very well done.  I read a book in that vein a number of years ago that took a similar tack (the Nazis won, but didn't occupy America--Joseph Kennedy had won the election in the 1930s, and I think there wasn't a war between America and Germany in that alt. history).  I love those kinds of intellectual thought experiments.

I'm two thirds of the way through season three of Person of Interest (my second go-through) and I'm still gutted by season 3--so much happens in 3 that is so hard!!  I'm eager to see where season five takes us in the spring.


Go see Ginny for more great yarn work!

Monday, November 30, 2015

HSM #12: Redo (Brown)

I kind of fell off the Historical Sew Monthly wagon there for a few months.  It was sort of on purpose, as I didn't really have any projects in October that were appropriate, and my Silver Screen project just wasn't going to get done during November with everything that is going on.  I'm probably never going to finish it, actually.  That's okay.  This year has been instructive as to what is practical for me as far as sewing time is concerned, and I'm learning to be more focused about sewing purchases and projects.


That said, this dress was pure frivolity.  I bought the fabric way back in April, intending to make a 1930s dress with it for the brown challenge in September. (It is hard to tell in the photos, but the predominant color in the print is brown).  I wanted to copy Jill's original 1930s dress in this fabric with a contrasting green collar.  I had sketched the collar shape a few times, and thought I could swing it.  I thought the fabric read Art Deco, and I really liked the fall palette.  After making the 1934 McCall's 8272, I was pretty confident about how to draft and construct the collar detail, and I knew I could use my Frankenpattern to get the basic shape of the original.


In the intervening months, however, I sort of fell out of love with the fabric, and lost interest in the project.  I was concerned that the colorway didn't work for my complexion, and didn't want to spend time or precious energy on a project that wouldn't look good on me.  I was sorting out my fabric bin earlier this month, and ran across the fabric again, and decided to put it in a donation pile.  I resolved to let it go, but decided at the last minute to just make it up already.  


I regretted the decision almost the instant I made it, and spent a day or two trying to talk myself out of it, and second-guessed every minute of the making.  I thought my drafted collar looked wrong, I didn't like the contrast, I thought the tab detail on the pockets was overkill, I didn't want to top stitch anything, I didn't like the fabric, I couldn't believe I was "wasting" a morning that I actually felt okay on a dress to wear for Thanksgiving when I could be working on the projects in my winter sewing pile.


Sometimes you just have to plough through to the end.  I'm actually glad I finished this dress!  It was exactly the right thing to wear for Thanksgiving day, and I'm actually really happy with the end result.  It isn't an exact copy of the original, but it definitely works for the era.  The vintage buttons came from the McCall's 8272, which I took apart at the end of the summer.  It wasn't really a great dress for me for a variety of reasons, and I couldn't see that I would wear it again next year.  The fabric wasn't very breathable, and I wasn't happy with the way it was wearing after only a couple wears.  But the buttons were fabulous, so I saved those!!  


I drafted the collar on the fly, and then just attached it like a flat collar after top stitching it down.  It was very easy to construct, actually.  I probably could have stood to make the sleeve cuffs wider to match the width of the collar, but by the time I realized my mistake, I had been fighting with the cuffs for a while and was about ready to chuck them all together.  The pocket tabs were easy-peasy and while they didn't feature on the original dress, I've seen the detail on enough period patterns and extant dresses to feel confident that they would fit.


Because my energy levels have been extremely bad these last months, I confess that I ran out of steam when it came time to make the self-belt.  I had it all cut out, but then I just.couldn't.do it.  I ran a bit of elastic through the waist casing and called it a day.  It's not really period appropriate, but it was very comfortable.  And the dress is just for me anyway, so I'm not super concerned.


I also made a pair of coordinating gauntlets out of some copper colored Swish yarn.  They warmed things up considerably!  (The gauntlets are just a general item in my wardrobe--I didn't make them specifically for this dress, it was a happy coincidence)


I used the same waffle stitch pattern I used last winter on the lava gauntlets, but made them a bit longer, and added some stitches to the end to make them wider at the elbow end and narrower toward the wrist.  I also seamed them to leave a thumb hole, which I like quite a bit.


I'm pretty happy with my top-stitching on this project--it's not perfect, but I get a little better on each try!


The contrasting fabric is from Michael Miller and makes me think I might use some more in a different color way to make a solid colored dress at some point--it is very nice soft fabric.


I like this mitt pattern because it has just enough going on to keep the knitting interesting, but not so much that I can't have my mind on a program or something else at the same time.  And I adore Swish yarn!  I think it is my favorite yarn so far.


The seam is a lot better looking in person than on this photo--it is quite straight and neat.


And my boots are all wrong for a period photo (as is my hair) but as I said: poor energy, and it was Thanksgiving, after all!


The Challenge: Redo (Brown)

Fabric: Molly B 1800s Fabric in Harvest Stripe (100% cotton broadcloth), Michael Miller cotton broadcloth

Pattern: self-drafted/Frankenpatterned

Year: ~1934

Notions: bias tape, all purpose zip, vintage resin buttons, thread

How historically accurate is it? 6/10.  The basic shape is good, and a reasonable facsimile of the original dress, but the zip is wrong for the period (zips were in use, but not commonly available to home sewers until later).  Press studs or buttons would have been better for a side closure.  The bias tape I used is modern, although the usage is period (although, probably for a dress like this, it would have had proper facings).  The 100% cotton fabric is reasonable, as is the print.  The original dress had a gored skirt, but I prefer a simpler cut.  It's not wrong for the period, but gores would have given it a more period look.  The cut-on sleeves are period appropriate, but the original dress had set-in sleeves.  The elasticized waist is wrong.  I went for cut-on because I strongly dislike how inset sleeves fit me on woven fabrics.  I should have gone with the fabric self-belt and in-set sleeves for better accuracy, but I was going for comfort and wearability over strict period accuracy.

Hours to complete: 4-5.  The collar and cuffs added a lot of extra time.

First worn: November 26, 2015 for Thanksgiving Day

Total cost: ~$40