Showing posts with label Russia. Show all posts
Showing posts with label Russia. Show all posts

Tuesday, August 15, 2023

Reading Corner: Swamp Edition

Welp, we are in the home stretch of the summer, and I'm ready for school to start (although our fall activity schedule is a little more chaotic than I would like because Birdie was really set on being in the fall play at school and the boys are running cross country.  Oy).  Honestly, the summer has been okay.  The nasty hot/humid weather really only started last week; there were quite a few days this summer where I had windows open a lot of the day--that never happens!  Although I will say it has been a doozy since last week.  I guess the weather was saving it all until now.  

My kids and husband went to overnight church camp the first week in August and I had seven glorious days all to myself.  I read, watched a bunch of independent films, wrote a bit, and generally kept my own schedule for the first time in years.  It was a bit of a hard reentry when they returned--why do they need feeding so often?--but we'll get there again, I guess.  One possibly fruitful bit of that week was that I think I'm working my way around a writing project, although I'm not sure it will be anything yet.  Considering I thought perhaps I only had two books in me, it is nice to have the sense that there might be more to explore.  But we'll see.  It might fizzle once I figure out what it is I'm working with.  I've had enough false starts since finishing All This Without You to be cautious.

I said in my last post I've been reading a lot this year, and decided it might be time to write about some of it.  So, on to the reading stack!  

From the top down: The Rise and Triumph of the Modern Self by Carl Trueman; The Master and His Emissary by Iain McGilcrist; Feminism Against Progress by Mary Harrington; The Normal Heart by Larry Kramer; Clanlands Almanac by Sam Heughan and Graham McTavish (not pictured: Way Points by Sam Heughan); Lost in Wonder by Esther DeWaal; The Soviet Century by Karl Schlögel; Dominion by Tom Holland; Winters in the World by Eleanor Parker; The WEIRDest People in the World: How the West Became Psychologically Peculiar and Particularly Prosperous by Joseph Henrich; (not pictured) Solovyov and Larionov by Eugene Vodolazkin

There was also a trio of Cold War spy histories by Ben Macintyre on my Kindle; each book read like a novel and was thoroughly enjoyable.  Agent Sonya reminded me a lot of the film Red Joan; both stories cover similar histories over a similar time period, so that shouldn't have surprised me.  I started a fourth one, In the Enemy's House by Howard Blum but haven't been as gripped by it, even through their narrative styles are similar.  I tried to read A Gentleman in Moscow by Amor Towles (my second attempt!) but gave it up as a bad job about half way through.  I was bored out of my skull and the author was only at 1936!  I just couldn't see reading another 200 pages.  

Unrelated, but we got a lot of raspberries from my garden this year!

The Trueman, McGilcrist, Henrich, and Harrington books all covered similar ground from different perspectives, although I would say the Henrich book really bogged down on specialist material in a lot of places. The book could have been trimmed considerably for a general audience. McGilcrist is a paradigm shifter, and he recently published the two-volume follow up that is twice the length of the first.  My husband is reading that one now but I'm not sure I'm going to tackle it.  The first one was very meaty and good, but I'm not sure how much more I'd get out of the other two volumes.  We'll see.  There are lots of interviews with McGilcrist on his work on YouTube, so if you don't have time for an 800 page book, you can get the Cliffs Notes version there.  


I gave a lecture on Soviet communism to the seniors at my kids' school during the last week of school in June and revisited Yuri Slezkine to prepare for it, so between that and the nearly 900 page Schlögel, it's felt like a whole lotta USSR here the last few months.  I need to set that aside for a while, even if there is a great new Gary Saul Morson book that my husband loved.  It will still be there when I'm ready to tackle it. Tom Holland's Persian Fire was a birthday gift last month so I'm looking forward to reading that one.  Dominion was a great read.  I highly recommend this interview with Paul Kingsnorth if you are interested in the topic.  I read the book on the strength of that chat.

Boo wanted me to read Why We Drive aloud for his night time story this month, so it has been fun to revisit that book.  Matthew B. Crawford is such an amazing thinker and writer and a keen observer of the times we live in.  (He has a Substack now, although I don't have time to read much of it!) I've realized in the past months that I could spend all my time reading excellent Substack authors, but it doesn't feel like a good use of brain space or time.  I think differently through physical books and don't retain information as well when I read on a screen, so it is better for me to be mostly analog.  What writing I've done this month has been long hand as I find that a better way to start the process.

There were a few forgettable novels along the way as well as some fiction re-reads, but it has been a good reading season.  I've got some books on hold at the library that should keep me for the next bit.

Sunday, April 17, 2022

Rewind

I almost can't believe it is Palm Sunday already.  (We in the East are a week behind this year).  The kids and I have been passing around a respiratory infection during spring break, so it has been a low-key week for us.  Birdie's infection developed into pneumonia mid-week, so I'm keeping her home from church this morning.  We'll stream the service from our cathedral in DC so at least we get the flavor of the day.  I've missed a number of Sunday services this Lent because of my own or my kids' illness, but that is okay.  To everything a season.  I'm grateful to have streaming options for times like these.  


We also received most excellent news this past week: my dad's cancer is in remission! Thank God!! He still has a long way to complete healing and recovery, and he'll need to be checked every few months for a while, but we'll take it. That said, even after recovery, he won't be going back to work as chief pharmacist at the hospital again, so his semi-retirement of September turned rather abruptly into a full retirement when everything happened last October. So we'll see what God has in store for him in this next season and will trust in His provision.  Thanks to everyone who has prayed, given financial support, brought meals, etc.  It has been such a help and blessing.

A dear friend of our family is also going through cancer treatment at the moment and I decided to make her a lap quilt.  My dad used his birthday quilt so much when he was in the hospital and during his recovery at home that I thought it might be a useful thing for her.  I had bought a couple of charm packs from the Moda Songbook fabric line and made up a simple patchwork quilt with some small sashing around the edges.  The backing and binding was from the same line of fabric.  The hardest part was figuring out the best arrangement of blocks!

I found a walking foot that fit my Bernina and quilted in diagonals, which was fun and satisfying.  I found the whole process of this quilt quite fun, actually.  My only complaint is that the walking foot is really hard on needles, and I had to change mine several times during the quilting process, but the result was so even and nice that it was worth it.  I have several more patchwork lap quilts in mind for both my home and as a gift or two.   

I finished several books lately.  Kristin Lavransdatter has been on my nightstand for a year now, and I finally finished the beast.  Fittingly, I started it last Lent, and finished it at the end of this one.  The last 50 pages were really beautiful, and I'm glad I read it, but I don't think I'll be revisiting the story any time soon.  (I know, I know.  I'm a terrible person.  Hopefully we can still be friends?)


I finished Martin Malia's The Soviet Tragedy after poking through it for several months and found it a very good and informative read.  Malia gave me a different perspective on Khrushchev that I appreciate very much.   It's also interesting to integrate Malia's work with Slezkine's, as they approach the same material with quite different frames, but both have important contributions toward understanding the period.

From there, I re-read Sana Krasikov's The Patriots, which is about the American emigration to the USSR during the Great Depression.  I noticed in her notes that she relied on a monograph called The Forsaken for parts of the story, and decided to run that book down.  It was an extremely engaging and informative read, although parts of the story are hard to take in and some are just plain infuriating.  (If you've seen Mr. Jones, the unconscionable Walter Duranty makes more than one appearance in Tzouliadis' book).  After that, I wanted to read more Krasikov, so read her first book of short stories called One More Year.  Each chapter is about a different post-Soviet immigrant.  Even though the book tends toward black humor, it was an informative window into the post-Soviet experience.


Somewhere in there, I also read The Guernsey Literary and Potato Peel Pie Society and enjoyed it very much. I loved the epistolary format, and wanted to read something similar, and found Letters from Skye, by Jessica Brockmole, which I started last night. I can hardly put it down, and am enjoying it almost as much. I also decided to re-read Dead Souls, which is a hilarious romp through the 19th century Russian countryside. Gogol was a comic genius.

Finally, I've been reading Pride and Prejudice aloud to the girls at bedtime for the past month or so, and we finished it this week in a marathon read-aloud on Friday during lunchtime.  We watched the BBC version with Jennifer Ehle and Colin Firth over several viewings this past week while the boys were occupied with a different show.  I also want to show them the 2005 movie version because I like both for different reasons.  The BBC version is extremely faithful to the book, but there is something about the condensed 2005 version that just grows on you.  I happen to like Matthew McFayden very much, and enjoyed his take on Mr. Darcy.   

We just started Persuasion, and I look forward to showing them the film version with Sally Hawkins and Rupert Penry-Jones when we've finished the book.  So much Austen, so little time!  I feel as though I'm getting a great books education right alongside my kids and it is fabulous.  

Monday, February 28, 2022

On Being Human

Christ in Gethsemane, Vasily Perov

It is difficult to know how to write about what is happening in Ukraine. I've heard many people who would struggle find Ukraine on a map suddenly have a hard and fast opinion about what is happening there and what it is about. I don't intend to add my voice to the fray, and am praying that cooler heads prevail in Washington and that the war ends soon.

That said, I can choose to create a spirit of peace within myself.  St. Seraphim of Sarov famously said: "Acquire a spirit of peace and thousands around you will be saved."  

It is fitting, perhaps, that all this narrative dissonance comes as Lent begins for the Western Church on Wednesday. (We Orthodox still have a week of Cheesefare, but there is still the strong feeling that Lent is upon us).  The temptation toward evil is always present, but the pressure always increases during these times that are set aside to focus especially hard on our spiritual path.

What I want to say is let's all be human.  Remember that there are real people, living real lives who are affected by it all, no matter which side of the border they are on.  That words have power to tear down and build up.  That hatred does no good in the world.  That the world is not black and white.  That lots of people are scared about the future, and that fear comes out in strange ways sometimes.  Kindness is free, and can be given at any time, in any situation.  People are usually fighting tremendous battles that they do not show to the world.  

I think the best thing I can say about it is to repost Metropolitan Hilarion's letter to the diocese from this past weekend: 

Dear in the Lord Brothers & Sisters!

On the threshold of Great Lent, this salvific time of augmented prayer and self-correction, and in connection with events unfolding in the Ukrainian land, I turn to all with a heartfelt plea: refraining from excesses in watching television, following newspapers and the internet, and closing the doors of our hearts to the passions ignited by mass media, to augment our fervent prayers for peace throughout the world, for overcoming enmity and discord, for help for the suffering, for the repose of those who have departed into life eternal and the consolation of their friends and relatives, so that we all first and foremost remain humane and Orthodox Christians in these difficult times.

The approaching Great Lent is the journey to Christ’s Pascha. This path leads us from a state of idleness, impatience, vanity, and constant anxiety to spiritual peace, integrity, humility, and love. These holy traits do not arise within us without effort, but through adhering to the other world in our churches – the world of light, joy, hope, and kindness. Without participating in the divine services of Great Lent, which create a special atmosphere in our homes and in our lives, attaining such a spiritual state is very difficult, it may even be impossible. Striving toward God, establishing peace within our hearts and participating in the sacramental life of the Church of Christ, wherein lies our personal relationship with God, we reduce the level of evil in this world, we inspire others toward labors and spiritual feats of the Gospel, we enhance peace and brotherly relationships, and do not succumb to the temptations of various discords and divisions.

Therefore, I urge everyone to take advantage of every opportunity offered by the Church to preserve peace and goodness in our hearts, to spend this grace-filled time unto our salvation, so that we can all together meet and spend the radiant Paschal night in unity of spirit and brotherly love, in the renewal of all of our strengths and the spiritual joy in the Resurrected Christ and the victory of good over evil! Amen.

+HILARION
Metropolitan of Eastern America & New York
First Hierarch of the Russian Church Abroad

Friday, February 4, 2022

The shortest month

I realize I've been a bit AWOL over here.  January is so busy for us, and I spend most of February just trying to catch up.  Throw in some vitamin and mineral deficiencies that are hugely messing with my energy levels and it's slow days mostly.  I'm knitting, rewatching Discovery of Witches for the nth time (and re-reading the series....so.good), and generally trying to keep my head on straight.


Last week I did a special presentation on Stalin and the gulags to the 4th graders at my kids' school.  It was fun and nerve-wracking at the same time because getting the information down to their level was such a challenge.  Suffice to say I was massively over-prepared for 9 year olds, but that's okay.  I might be asked back to give a more advanced version of the talk to the 12th graders next year, and I'm looking forward to diving deep for that!

I made another plain vanilla flannel skirt last month (no pics yet), and have fabric for another heavy wool one, but lack motivation to sew right now.  So back to my needles it is!

Over and out.

Thursday, September 16, 2021

School Colors

I mentioned that I made a kelly green knit dress on the same pattern as the teal one in August, I think.  I saved it for the first day of school since it was exactly the green of our school color.  I had to do a meet and greet with new families, so it was good to have something highly visible on!  

 This dress was much more successful than the teal dress, I'm happy to report.  It also is a bit more saturated than it photographed, mores the pity, as it really is a gorgeous shade of green.


The teal dress is out of the telio cotton knit that is slightly heavier than the KnitFabric.com mystery cotton knit, and so the whole thing drags a little from my shoulders, and the ties are too heavy.  I need to fix it now that I made the green dress ties differently.


Not much to report on construction; I used the fit tweaks I made on the failed yellow dress to make the bodice and skirt slightly roomier, cut 3" ties at twice length (they are twice as long as the skirt), and rounded the neckline slightly, but not much else.  It's a good dress and I'm glad to have it in my closet. 

#sewnshownseated  
 

We've been assigned to a more ethnically Russian parish in the past year and a half, and I was recently reminded that Russians dress up more than Americans, particularly for church.  I had forgotten, being away from Russia for so many years.  I'm never a schlub, but I clearly need to up my church dress game, especially as a clergy wife.  And stop wearing Birkenstocks to church.  


#sewnshownseated

Which left me with a connudrum.  I have fine shoes for cold weather, but usually wear comfortable sandals in summer because we stand for almost 2 hours on Sunday morning (plus another 40 minutes or so Saturday nights), and my feet are terrible.  I can't wear even a low heel on a regular basis in that setting because of my neuroma, so I've been casting around for solutions.

I bought these shoes, which I never thought I'd like, but I actually do, and while I wouldn't want to do any serious city walking in them, they will do for summer church services.  They have a big toe box, unusual for this style, and the ankle strap is light and flexible. 

They are extremely flat with no arch support, and I did need a little bit of moleskin along the back edge but I have bone spurs on my heels and arches for days, so that's no surprise.  Forgive the swollen legs and feet; the humidity is still pretty intense. #pittingedemaisnofun


It seems like I have a lot of balls in the air just now, so I'd better get back to juggling!

Friday, May 28, 2021

Spring Evendoon


This is possibly an odd post for the end of May, but I wanted to show my completed Spring Evendoon before the weather makes it completely ridiculous to write about a wool sweater.  I finished it on May 13 and blocked it and photographed it the next day, when it was still chilly enough in the morning to get away with it.  The temps are supposed to drop to the 50s over the weekend (hooray!) so I might even get to wear it.  (Although my Cypress sweater is on the block now, so I might wear that instead!)

So, the Evendoon.  I cast this on immediately after finishing the Lilias Day in part because I was so disappointed that the Lilias wasn't going to work for me and I loved the palette so much.  (The friend I sent the sweater to is delighted with it).  This is a basic raglan knit, but the striping pattern keeps you on your toes, particularly during the raglan increases, as you have to keep track of two things at once.  It was also a LOT of ends to weave in as I knitted the sleeves flat and seamed (which I'm never doing again as I finally figured out a way of knitting small in the round that doesn't make me want to claw my eyes out).

 

I decided to stick to the same (stashed) palette and go for a striped version using Kate Davies Evendoon pattern.  (Her palette on the multi-stripe version is very similiar to mine)  This was another case of a sweater pattern I didn't notice when it came out but found very pleasing in a different colorway.  I originally combined the same two Jamieson and Smith yarns for the aqua stripe as I did on the Lilias Day, but it was coming out closer to worsted gauge, so I decided better too light than too heavy and tinked back to use a single strand of the J&S which does bloom nicely with wet blocking.  I like the bright palette very much!

 
 
I again went with the 3rd size, even though I usually make a 2 in Kate's sizing, because I wanted slightly more ease and was concerned about the fit.  The fit is spot on!  I did have to change the bottom slightly from the sample, as the extra two stripes made the body too long for my short torso, and I didn't like how the Jamieson and Smith knitted up in the ribbing on the bottom or neckline (I was also playing yarn chicken with the J&S, and wanted to be able to get the sleeves out).  I like how the cuffs, hem, and neckband all match and keep the stripe pattern. 


In book news, I've been reading Matthieu Pageau's book called The Language of Creation and having my mind generally blown about all the symbolism and fractal connections in the stories of the Bible.  More than that, it is a framework for interpreting and understanding the world.  (Jonathan Pageau said that when he was editing the book for his brother, every time he read the manuscript, he would get to about page 100 and start having seizures about the amazing insights and connections.  Page 100 nothing; I was having seizures on about page five.  Needless to say, it is not a book to rush through, but rather should be taken in small bites.) 


It all goes back to the garden, or as Paul Kingsnorth memorably put it: "we are all still trying to eat the apple."  (He's been killing it on his substack this month--it is well worth the subscription!  "Blanched Sun, Blinded Man" is a great introductory essay about the enchantment of the Machine we all find ourselves in.  I'm eager to read the rest of this series as it comes out).  Around the same time that I started Matthieu's book, I watched the largely panned film Noah, and found it to be much better than the critics said.  It fits well with the symbolic structure that the Pageau brothers talk about, and pulls from lots of traditional sources including the Apocrypha for additional details not included in the Pentateuch.

This week, I started reading a book I got for my birthday last summer called 1983: Reagan, Andropov, and a World on the Brink.  It is a book about how close we came to nuclear annihilation in 1983 because of a number of factors that collided that year.  I'm completely fascinated.  What I like about the author's approach is that he is clear-eyed about both sides of the story, painting neither a flattering nor unflattering picture of either Reagan or Andropov, and giving equal time to the concerns of both sides.  

I think it is easy for people of my generation or a bit older to lionize Reagan because of the perception of stability that he fostered--or at least a kind of clean polarity--but with time and distance comes some wisdom about the ways in which Reagan actually contributed rather heavily to the sort of political discourse in which we now find ourselves, and the instability of international relations more generally.  One wonders if a president with a longer attention span and better impulse control would have been a better choice at that time in history. 


A quirky documentary called The Man Who Saved the World came my way this week as well, and I highly recommend it.  It is about a little-known incident in the USSR where a Soviet colonel averted a major nuclear war in the late summer of 1983.  

(Incidentally, the film glosses over the disaster of the Korean airliner at the beginning of the film, with lots of heart-breaking footage of the aftermath, but the 1983 book gives a great deal more context and information about what happened, and while it was a terrible tragedy, there are a great many questionable things on the part of the captain and crew that led to that point.  Moral of the story: stay in the captain's seat and man your radio).


In between seizures over great stuff from Jonathan Pageau and his brother Matthieu, I am also rewatching The Americans, which is set in the early 1980s, and am drawn in anew, with different eyes to see this time.  

My brain is cookin'.  Hold on to your hats!

Tuesday, February 23, 2021

Talking Tuesday: Dear Comrades!


 
Last night my husband and I finished watching a stunning Russian film called Dear Comrades! It is the previously classified story of the 1962 protests in the Don River region over rising food prices and the State's efforts to quash the protests and then cover up the violence that followed. 

The story is told primarily through the eyes of a true-believer Party member, and her journey is quite extraordinary.  I'm still trying to wrap my mind around all the layers of meaning in the film, particularly since the ending is a bit ambiguous and left me with a lot of questions about what happened in the following years.  Shot in black and white, the cinematography is note-perfect and deserves all the festival accolades it has received.  

A number of questions are asked by the film: what do you do when all you hold sacred is shown to be a Potemkin village?  What does it mean to remember the past and honor it without idolizing or demeaning it?  How do we live in the truth of the terrible things that happen to us without breaking?  What does it mean to own your mistakes?

It is a film well worth seeing.

Tuesday, September 22, 2020

Talking Tuesday: The House of Government

I finished Slezkine's House of Government over the weekend, hereafter called HoG.  Some of this post is taken from my original thoughts about it in July, but I've tried to add more context here.  I tape-flagged many passages, particularly in book one (his nearly thousand page tome is divided into several books, each with several chapters, organized by theme and chronology).  

As I wrote previously, Slezkine is at pains to tell the story of Bolshevism as a story of a sectarian religion that overcame the secular authority to establish its own theocracy.  By Slezkine's reckoning, the Bolsheviks were the first revolutionary force to succeed in taking over the State to do so.

Slezkine's epigraph

 Slezkine spends the entirety of chapter three on a long discussion of apocalyptic millenarianism both in the West and elsewhere, from the time of the earliest Christians right up to the present, across different religions and contexts, before tying it all off in a neat bow that places the Bolshevik/Marxist movement of the 19th century into that larger cultural impulse that emerges every so often in the face of major economic or societal change.  

 The urge is to find something better in the face of something terrible or unknown.  Since the Reformation, that urge has manifested itself in a search for a positive form of utopia, which until that point, had a nihilistic connotation.  After the Reformers (rightly called revolutionaries by Slezkine), the concept of utopia acquired the hopeful patina of achieving heaven on earth.  It is not a coincidence that the experience and understanding of time ceases to be a vertical spiral and turns into the hard horizontal line of progress as we understand it today. 

This dovetailed nicely with my re-reading of Laurus in May for a book group, and the subsequent articles by Vodolazkhin the group also read.  The (newly positive) idea of achieving utopia is part of the apocalyptic impulse, and the people who get caught up in these millenarian movements stand ready to use violence and coercion to achieve it.  The violence is a feature, not a bug, and every religious reformer and secular revolutionary have used it to try to achieve a purified state on earth.  

This point was driven home to me after I read an article by Gary Saul Morson on Leninthink, which examines the language Lenin utilized in service of the Bolshevik revolution, and the violence and terror that he openly pursued and engaged as part of the new order.  The thing that struck me about it, was that not only was violence and terror a feature, not a regrettable bug, but Lenin saw its continuance as necessary to the continuance of the Bolshevik state, not just as a means of establishment.  To wit, State-sponsored terror was actually written into the 1936 Soviet constitution because of Lenin's thought on the matter.  It helped me to understand Stalin as the fullness of Lenin's thought rather than someone who took it off the rails.   
 
Building socialism and marching into a rational future.

 Slezkine goes on to detail how the Bolsheviks transitioned from a small exiled sect of true believers in Marxist orthodoxy, to their evangelization campaign (otherwise known as the suppression of the kulaks and forced collectivization), settling into power and feeling the disillusionment that utopia (Slezkine calls this "the real day") had not yet appeared.  It is a reckoning that happens with all apocalyptic millenarian movements: the failure of the end days to arrive.  Each movement deals with this failure differently; for some it is the end of the movement, and mass suicide follows.  Many cults of the 19th and 20th centuries went this way.  Some decide that the end of days should be understood allegorically, and adjust their teaching accordingly, particularly as they become institutionalized (but separate from the ruling apparatus, notably).  Christianity goes this way after Augustine.
 
The original Bolsheviks, the "Old Bolsheviks," as they came to be called, found themselves plagued with ennui and psychological illness after the conclusion of the Civil War.  Revolution had not gone beyond Russia's borders, as confidently predicted, and indeed, was not succeeding in Russia in the way Marx and Lenin had written.  Famine was everywhere due to brutal collectivization in the grain-growing regions of Ukraine and Kazakhstan, plus grain requisitions by the State to fund the massive industrialization effort, and attempts to rationalize architecture of the medieval cities in legible ways (described well by James C. Scott in Seeing Like a State) were stalled or incomplete.  It was The Great Disappointment.


The House of Government.  It is difficult to convey the scale of the place, but it is massive.

 The House of Government itself was part of this re-imaginging of the urban space, and took a staggeringly long time to build.  It was a huge complex on the river across from the Kremlin, with multiple entryways and doors, plazas, and amenities.  It housed thousands of people, plus a laundry, cinemaplex, theatre, gym, hair salon, post office, day care, primary school, medical clinic, social club, grocery store, laundry, cafeteria (to release the women from the drudgery of cooking family meals) and a radio station.  There were 505 apartments housing more than 2600 people.  The House was to provide a launchpad into the future of socialism, where life would be a seamless movement of work and home, a gathering of comrads transcending the homely bounds of filial piety.


The imagined Palace of Soviets.  The scale is also difficult to render here, especially if you haven't been in Moscow and cannot conceive of the size of this.  The Cathedral of Christ the Savior is a massive, massive structure.  People are ants in comparison.  The Palace was meant to dwarf the Cathedral by some good bit.  This sketch won the design competition.  Slezkine has the other finalists' drawings in the book, but this one was designed by the architect of the House of Government and fit the vision best.
 
 
Rebuilt Cathedral of Christ the Savior (on the original plan and to original scale).  The people in the foreground give some sense of size, and there are two complete worship spaces inside the building, the grand upper and the slightly more modest lower church.

The House was to be part of the larger Palace of Soviets plaza, planned on the site of the Christ the Savior Cathedral, situated on the opposite side of the river behind the Kremlin.  The Palace would be a place of pilgrimage, a new symbol of the Soviet Union, a holy site suitable for thousands of worshipers to commune with Lenin's greatness, and contemplate their place in the universe.  Or more to the point: how they were participating in the building of socialism.  Shortly after the completion of the House, the cathedral was blown up to make way for the Palace, but a supreme act of irony, the ground proved too marshy to support the gargantuan structure, and so the foundation pit yawned open for more than two decades before being converted into a public swimming pool.  (The Cathedral was rebuilt on the site in the 1990s).   
 
The Palace of Soviets complex, as imagined with a rationally redesigned street plan.  Moscow is a medieval city with few straight streets (it looks rather like a wagon wheel that radiates out from the river and Kremlin).  The Bolshevik architects aimed to tame it, rationalize it.  They did not succeed.

 The Bolsheviks were in a great hurry, with the weight of history upon them, feeling the urgency of the Revolution, for many of them had not really imagined it in their lifetimes.  The Real Day was exceedingly slow in coming.  The world-wide revolution had not only failed to arrive, the Old Bolsheviks had somehow failed to carry out their own vision.  The New Economic Plan put forth by Lenin after the Civil War was a semi-capitalist concession to the famine and economic catastrophe of forced collectivization, but it was to become the foundation for all the Five-Year Plans that followed.  The Bolsheviks understood that their generation was flawed, having been raised under the monarchy--the original sin that could never be overcome--but they hoped they could build a socialist utopia for their pure Soviet children.  
 
Lenin's Mausoleum.  It is surprisingly a small and intimate space.  The man responsible for Lenin's preservation, Boris Zbarsky, survived the Purges of the 1930s, only to be arrested shortly before Stalin's death.  He died in 1954.  His son, Ilya, carried on his work until his retirement in the late 1980s.
 
Lenin's death in 1924 hit the core of them very hard, as there was no clear way forward.  Lenin himself was somewhat adrift after Sverdlov's premature death of Spanish flu sometime in 1919; Sverdlov had been the architect of the Soviet State, and oversaw most of the administrative details in the first years, serving as Lenin's right-hand man, confidante, and enforcer.  (It was he who ordered the execution of the royal family).  Sverdlov had been a leader of the inner circle of Bolsheviks from the earliest days of exile.
 
Stalin, by contrast, had lingered at the outer edges of the Bolshevik core from the beginning, being hard to get along with and less well-read than the others, but managed to elbow aside Trotsky and claw his way to the top upon Lenin's death.  The Old Bolsheviks were disillusioned enough by the failure of the Real Day to arrive that the (often contradictory) changes to the socialist dream that Stalin put forth (including the Five Year Plans) were barely challenged.  Those tasked with writing the first socialist works of literature were on constantly shifting ground, as Stalin consolidated his power and his vision became the only vision possible.

By the 1931, however, things seemed more settled.  Huge industrial projects like the Dnepr Hydroelectric Dam were nearly complete, and factories were being built in the thousands.  The House of Government was complete and inhabited by the most senior members of the government (except those who lived in the Kremlin, like Stalin and Bukharin, although Stalin's family had apartments in the House).  Situated across the river from the Kremlin, the House residents had easy access via the Stone Bridge.  
 
The planners of the House acknowledged that its design was not in keeping with the ideals of socialism, which sought to overcome individualism and family ties with State partisanship and comradely ties, but they also realized that some intermediate measures must be taken on the way to that ideal.  The concession of private apartments instead of universal communal barracks was to provide the first cracks in their theocratic foundation, as people formed families and brought their possessions into the House and generally took on the habits of the bourgeois they were meant to replace.
 
In the early 1930s, it seemed that most of the Soviet Union had made its conversion, rid itself of its internal enemies, and what was needful was evangelists of the Revolution to take the mission beyond its borders as well as the active building of a rational socialist society within the USSR.
 
The assassination of Kirov in December 1934 changed everything.  The sudden and violent loss of Kirov proved that socialism wasn't as stable as everyone believed, that there were still enemies hiding in plain sight.  
 
Slezkine points out that throughout history, when societies experience wide scale or rapid change or unrest, there comes the need for a scapegoat.  Someone must be to blame for the ills of society, and the pressures build up until a suitable target (or targets) can be found.  (Rene Girard has written at length about scapegoating as a sociological phenomenon).  The act of scapegoating, until recently done by interrogation and execution, usually apart from the formal legal apparatus, is a way of releasing tension and bringing things back to center.  Scapegoating is the driving force behind the witch trials of the late Elizabethan era and beyond, lynch mobs of the 19th century, and so forth.  In the USSR, following Kirov's death, a great questioning arose amongst those in power: how had this happened?  Were there really saboteurs everywhere?  There must be more enemies hidden from view, who must be exposed and thrown out or the Revolution will fail.

Thus began the Great Terror.  Stalin started with the inner circle first.  Anyone with even a loose association with Trotsky or the Socialist Revolutionaries was arrested, interrogated at length, and then imprisoned indefinitely or exiled to a gulag in the Far East, usually without a formal trial.  The circle expanded far beyond that, and quickly, to the mass arrests of 1937 and 1938, with mass executions.  
 
It is unclear to me why the scapegoating in this instance was so large in scale, but the method follows a well-worn track.  As with all instances of scapegoating in ages past, for no discernible reason, it died down after 1938.  There were still arrests, interrogations, exile and executions, but the mass scale of them was over. 
 
After Stalin's death, there were whispers about what had happened, but no one dared talk of it openly until Khrushchev's "Secret Speech" to the Politburo in 1957, in which he acknowledged the mass executions and exile and so-called excesses of the 1930s, but it was still up to the victims to pursue formal rehabilitation, a process that required an Old Bolshevik to vouch for you or your relative in writing.  By 1957, there were almost none left alive to do so.  Those who survived exile returned broken and old beyond their years.  Many were left in limbo, dependent on relatives with no access to pensions or any other State support, and their children cut off from education and opportunities to advance (for the sins of the father shall be visited upon his children and his children's children).  Only the rehabilitated (even after death, rehabilitation was possible) could consider entering the Soviet Kingdom of Heaven. 
 
The true believers were mostly ascetic hard workers--the Revolutionary monastics, the original disciples, tasked with the conversion of the country.  They kept long hours, leaving the care of their children to peasant-nannies and babushkas.  Even though they formed families (and reformed them frequently, changing partners and apartments with ease), they sought to form their children in the tenets of their faith, so their children could inherit the earth.  (Tellingly, the women of the Revolution had to choose between having a family or participating in the Revolution; they mostly chose Revolution). The Old Bolsheviks were the intelligentsia who had no place or role in Tsarist society and great readers of classical literature.  They undertook to educate their children similarly give their children a place in the new Soviet order. 
 
It was this reading education that ensured their children would never become true believers, their moral imaginations formed not by socialist texts, but rather by the literature that had excited their parents: Cervantes, Dostoevsky, Pushkin, Tolstoy, Swift, Dickens, Goethe, Heine, and many others.  The children of the true believers would go on to control the levers of power after Stalin as members of the nomenklatura, but they were never truly invested in building socialism in the way that their parents were.  Raised by grandaparents or in orphanages after their parents were swept away by the Terror,  the children carried out the motions of faith with little or no belief.  By the 1980s, the USSR's spiritual core was completely hollow.  The Old Bolsheviks' zealous faith passed away after a single generation.

Tuesday, July 7, 2020

Talking Tuesday: The Red Wheel

Via Widewalls
I wrote last week about Yuri Slezkine's book, The House of Government, and I'll probably have more to say about it as I get further along (it is a 900 page book and I'm about 200 pages in), but I wanted to turn this week to Solzhenitsyn, and his opus, The Red Wheel, which details the Russian Revolution, and its human cost.  It has been recently re-translated by the University of Notre Dame press (there is some irony in this from where I'm sitting), finishing the job started by Farrar, Straus, and Giroux (FSG).  Tony Woodlief, a blogger I've long admired, writes a review of the new translation, and I wanted to excerpt it, because it is just that good.

Woodlief begins by saying:

"Solzhenitsyn was mindful of Stalin's observation that one death is a tragedy; a million is a statistic.  Against a regime that obscured the individual tragedies of its victims, he counterposed a multitudinous, character-driven history of the great madness that gripped Russian society at the beginning of the 20th century" (103).

When I saw my throat doctor via telemedicine in April, and we were discussing the pandemic, he mentioned feeling frustrated that the number of deaths being touted in the papers obscured the real human suffering by making them faceless.  It is true; it is difficult to understand 132,000 dead.  It's just a number.  It doesn't begin to encompass all the fathers and mothers, grandfathers and grandmothers, friends, cousins, uncles, aunts, etc. who make up that figure.  I wonder if it would be easier to have a realistic public health conversation if these statistics had faces and names and histories. 

Via The Atlantic
Woodlief goes on to write,

"Solzhenitsyn had, however, two essential purposes in The Red Wheel over looked by critics and admirers alike.  The first...was to articulate how his countrymen--himself included--were complicit in decades of Soviet butchery....'We, all of us, Russia herself, were the necessary accomplices.'  This mindset is difficult to fathom, not just for someone who parlayed the name of her murderous ancestor into a university career, but for Westerners steeped in an individualism extending far beyond consumer choice into the realms of legal and theological culpability" (103).

This point dovetails again with Laurus, in which the title character spends the rest of his life repenting and atoning for his sins against Ustina, something several of our book group members had a hard time understanding.  Why would you spend your whole life looking to someone else's salvation? was a question that came up several times.  The short answer is, that in the Orthodox Christian understanding of such things, we are all brothers and sisters in Christ, and as such, have a responsibility to each other's path to salvation.  As St. Paul writes, we should not seek behaviors and attitudes which would cause our brother or sister to stumble or prevent them from pursuing theosis.  There is a corporality to the the Church that gets lost in post-Enlightenment Western individualism, particularly as that individualism has gotten more radically atomized.

Via Soviet Art
"Solzhenitsyn's second overlooked purpose was to restore Russian memory.  It's why he employed more traditional (and difficult to translate) Russian phraseology...He believed the simpler Russian employed by writers seeking Western publishers failed to convey essential truths.  The revealing clue is in The Gulag Archipelago, where Solzhenitsyn observes that before the word pravda [правда]
was perverted by Soviet authorities to mean simply 'truth,' it was understood to encompass justice as well.  It connoted a reckoning with God.

'Reckoning is what Solzhenitsyn sought, for everyday Russians as well as their tyrants.  He lamented the destruction of history, even memory, exemplified by Stalin-era schoolchildren scissoring newly denounced personages from their textbooks.  'Because of our complacency,' he wrote, 'we may live to see the day when fifty or a hundred years of Russian history will have sunk into oblivion, and nobody will be able to establish any reliable record of them--it will be too late.'  Solzhenitsyn aimed in The Red Wheel to preserve the truth--pravda--which has always been more than just facts" (103).

History is neither black or white, because people are never black or white--we are all shades of gray.  To bastardize Whitman: we all contain multitudes, and to try and reduce that to a single fact or condition of a person's existence is to reduce him to a mere cipher.  It is difficult to grapple with the shades of gray, because complexity is difficult, particularly in big historical personages who we elevate above our own common existence.  But when we elevate someone, either in the present or the past, we forget that that person's life was just as textured and strange as our own, and within its own context, which must be understood in all its layers and textures and complexity.  No matter how good or bad a person may present to the the world, there must be at least a sliver of the opposite present as well, "for the line dividing good and evil cuts through the hearts of every human being...At times he is close to being a devil, at times to sainthood" (104).

Via The Calvert Journal
"'Revolutionary truths,' Solzhenitsyn writes, 'have a great quality; even hearing them with their own ears, the doomed don't understand.'  There's a moment in the revelry, after the soldiers have all donned red, after every policeman has been shot or bayonnetted, when intellectuals who called loudest for revolution realize there are non patrols to fend off drunken gangs, nor courts to rupudiate armed students arresting whomever they please for 'crimes against the people.'  In this brave new world, rule of law has been displaced by the rule of gun-toting loudmouths.  It's too late for them, and for the millions who will be subjected to lifelong suffering because ideologically enthralled intellectuals hammered away at society's foundation until it collapsed.  After Lenin comes Stalin.  He always does.

... 

These are the stories of my people, Solzhenitsyn is saying, in all our nobility and weakness.  We all of us have sinned and fallen short of the glory of God" (105).

*All quoted material from "Setting the Wheel of History Alight," by Tony Woodlief, The American Conservative, (print version only), July/August 2020, pp. 103-105.

Tuesday, November 5, 2019

Talking Tuesday: Notes from Underground

Ancient church of St. Catherine, Athens, Greece
 I finally finished Roger Scruton's Notes from Underground and wanted to share a passage from the book.  It's not a long book, but I will say that while the book starts out engaging and page-turning, the middle sags a bit, and then the ending is stunningly good.  That's probably why it took me so long to get through it.  I got bogged down in the middle.  (In interests of honesty, I did "grad school read" the middle once I realized I was in danger of not finishing the book, but I have no regrets because if I'd given up, I'd have missed the great bits in the last quarter of the book).  The book is set toward the end of the Cold War in Czechoslovakia, and follows a samizdat writer on a journey of discovery.

In the last quarter of the book, the narrator, Jan, has a number of conversations with a priest, Father Pavel.  It is through these conversations that Jan moves toward a spiritual awareness.  I wouldn't call his experience a conversion, necessarily, but he asks a lot of good questions, and becomes aware of the state of his soul.  The following is a conversation between Fr. Pavel and Jan.

"'There is another person inside you, Jan, one who lives in imagination, who rejects reality as second best.'

'Is that how you read my life?'

'Your life is a fiction.  You decided to love fictions, since they couldn't harm you.  I am not referring to the girl from Divoká Šárka only, though it is important to learn that you imagined her.  Nor are you the only person who lives this way.  This is their greatest achievement, to divide our country in two, on the one hand the cynics who live without moral and who know the price of everything, and on the other hand the pure souls who know the price of nothing and who therefore recoil into the world of imagination to pursue their beautiful dreams.'

'And you,' I asked. 'Which are you?'

As suddenly as it had vanished, his old face returned, and he looked at me with that indescribable softness, brushing the lock of hair from his forehead and nodding as though in receipt of some undeniable truth.

'I know only that God has withdrawn from the world, and he makes each person feel this in his own way.  Oh, I have had my share of phantoms.  I have pursued imaginary loves just as you have.  But i have learned to consign my life to what is absent and untouchable.'

'You talk in riddles, Father.'

'No, Jan, it is you who live in riddles.  For a long time now you have wanted to talk to me about the thing that really matters in your life, and you have avoided it, as though all change were to come from outside you--a change in our political system, for instance, another invasion, a strike by the StB.'

'So what really matters in my life?'

Was it part of Father Pavel's duty as a priest to be prying in this way?  I guessed that it was.  For all his sophistication, he believed in that thing call the soul--duše--whose name in Czech evokes the disarming softness of his manner.  He believed in the other Jan inside me, the one who had never belonged to the world of daylight, and whose eternal destiny was Father Pavel's personal concern,  But this too was fiction, and by believing it, Father Pavel put himself beside me, on a precarious ledge above the abyss of nothingness.

'Let me tell you first what matters to them.  It is not only that you must live, as Václav Havel says, within the lie.  It is also that you must create a life in which truth and falsehood are no longer distinguishable, so that the only thing that counts is your own advantage, to be pursued in whatever way you can.  By this means we learn to distrust each other, and every call to love enshrines a summons to betrayal.  The precious element from which the soul itself is built, the element of sacrifice, which caused one person to lay down his life for the rest of us, this precious element is extracted from all our dealings and cast onto the dustheap of history.  When I pray, I pray to that person who is the way, the truth, and the life.'

...

Sitting with Father Pavel in that ruined church, with the broken chairs piled up in one corner, two candles in cracked cups on the rickety altar, and the stained painting of the saint, and the windows smashed and boarded up, I knew that I was in a consecrated space, that all thought and speech had a different meaning here, as music has a different meaning when it is breathed into the silence.  Father Pavel's God had withdrawn from the world, but as the sea withdraws, leaving behind it these little pools of clear water in which the spirit still lives.  And whatever our condition, however tainted we were by those sordid calculations by which we were forced to live, we could bathe in these secret waters and be refreshed" (pp 191-194).

Excerpt:
Scruton, Roger.  Notes from Underground: A Novel.  New York: Beaufort Books, 2014.

Tuesday, May 23, 2017

Talking Tuesday: Mastering the Art of Soviet Cooking

I wrote a few weeks ago about Mastering the Art of Soviet Cooking; I finished it shortly after I first wrote about it and wanted to share a passage or two from it.  Von Bremzen is a gifted writer and her book is a delight from start to finish.  It is equal parts social history and memoir, and she deftly weaves together the gastronomic and general history of the Soviet Union together with her personal history.  The thing I liked best about the book was the way that Ms. Von Bremzen paints a picture of the lives they led, particularly in the Brezhnev era.  The portrait is vivid and real, with only the faintest whiff of nostalgia.

She writes quite a bit about Mikoyan's famous book, The Book of Tasty and Healthy Food, or Kniga in common parlance.  It was a book that informed the cuisine of Soviets for generations and through which one can trace policy shifts over time and various editions.

"The wrenching discrepancy between the abundance on the pages and its absence in the shops made Kniga's myth of plenty especially poignant.  Long-suffering Homo sovieticus gobbled down the deception; long-suffering H. sovieticus had after all been weaned on socialist realism, an artistic doctrine that insisted on depicting reality "in its revolutionary development"--past and present swallowed up by a triumphant projection of a Radiant Future.  In socialist realist visions, kolkhoz maidens danced around cornucopic sheaves of wheat, mindless of famines; laboring weavers morphed into Party princesses through happy Stakhanovite toil.  Socialist realism encircled like an enchanted mirror: the exhausted and hunger-gnawed in real life peered in and saw only their rosy future--transformed reflections." (p.124)

I particularly liked her description of salat Olivier as a silent indicator of identity:

"With salat Olivier, identity issues boiled down mainly to the choice of protein.  Take for instance militant dissidents, the sort of folk who typed out samizdat and called Solzhenitzyn "Isayich" (note the extremely coded, Slavic vernacular use of the patronymic instead of first and last names).  Such people often expressed their culinary nihilism and their disdain for Brezhnev-era corruption and consumer goods worship by eschewing meat, fish, or fowl altogether in their Olivier.  At the other end of the spectrum, fancy boiled tongue signified access to Party shops; while Doctor's Kolbasa, so idolized during the seventies, denoted a solidly blue-collar worldview." (p.183)

I think there must be an American equivalent of the Olivier, where the ingredients indicate class and status, as well as personal identity.  Perhaps the lowly hot dog?  Would you like it all-beef, grass-fed, organic, kosher, or even vegan?

Ms. Von Bremzen's book is well worth a read, and contains a section of recipes that I hope to try out soon!

After finishing Mastering the Art of Soviet Cooking, I dove into Sana Krasikov's novel, The Patriots, which is about several generations of a family who emigrate back and forth between Russia and America during the course of the 20th century.  It is extremely well-written and completely fascinating.  The author clearly did a ton of research and really nailed the period and place. I couldn't put it down.

After that, I read Despite The Falling Snow, the novel upon which a so-so movie is based.  The book is just okay.  It suffers a deplorable lack of real research (the author admitted as much in the acknowledgements and it shows, particularly in the period sections).  It sounds like she didn't crack a single historical book about the period she is writing about, and relies instead upon a few interviews with a small group of people old enough to remember the time and a single trip to Moscow.  Interviews are useful, and have their place in the research process, but there is much to read to really immerse oneself in a period as well as a place different from one's own, and it seems to me that the author didn't do it.  The modern sections of the book are much more interesting as a result.  (A complete flip from the movie version, where I felt the modern sections were just a distraction from the period piece).  It is a story that is almost there but not quite.

I started Amor Towles' A Gentleman In Moscow, but I couldn't get into it right away, so I've set it aside in favor of Colleen McCullough's Bittersweet.  The book is very good, but it took a bit for me to get into the story.  I adored The Thorn Birds (both the book and the mini-series) and Bittersweet has been reviewed as a worthy successor to that novel (even though it inhabits a different place and space in time).   I'm about half way through the novel.  I have Ruth Goodman's How to Be a Tudor next up on my stack.

Quotations from: Von Bremzen, Anya.  Mastering the Art of Soviet Cooking.  New York: Crown Publishers, 2013.